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Horse-headed saint christopher fresco in the sviyazhsk assumption cathedral (16th-17th century, Russia): History and archaeometry (OM-SEM) for fresco structure study with some notes of the appearance of an unusual image of the saint
Art objects in an interior and their significance in interiors. Research methods: study of literature sources, analysis of frescoes and images
A pXRF in situ study of 16th-17th century fresco paints from Sviyazhsk (Tatarstan Republic, Russian Federation)© 2019 by the authors. Licensee MDPI, Basel, Switzerland. Twenty frescoes from “The Assumption
Immediate autogenous extracted tooth as a grafting material for fresh socket preservation: A systematic review [Diente autógeno de extracción inmediata como material de injerto para la conservación de alvéolos frescos: Una revisión sistemática] alvéolos frescos: Una revisión sistemática]
Онтологический экфрасис в стихотворении Елены Шварц «Воспоминание о фреске Фра Беато Анджелико «Крещение» при виде головы Иоанна Крестителя в Риме» of Fra Beato Angelico’s fresco ‘Baptism’ at the sight of the head of John the Baptist in Rome». The aim
Anthropology of Pain in Gina Pane’s Performances: From Sacred Tradition to Provocation in art throughout the centuries: from images of suffering on the medieval frescoes to a radical
Christian Images in the Fine Art of Siberia in the Context of the Formation of Siberian and Russian Identity and culture (to images of frescoes, icons, folk art) at a turning point for modern Russia in the 1980s – 1990s
Графическая разработка танца как важный этап в профессиональном творчестве балетмейстера that with the appearance of frescoes of ancient Egypt and archaic but highly developed art of ancient Greece, conveying
Антропология боли в перформативныхпрактиках Джины Пан: от сакральной традиции к провокации in art throughout the centuries: from images of suffering on the medieval frescoes to a radical
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