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Воплощение принципа антиномичности в повести М. Булгакова "Собачье сердце"
Хуан Цзюньи
of genre and stylistics, the works of M. Bulgakov «Heart of a Dog». The analysis is carried out from
The reception of the novel by M. Bulgakov “Master and Margarita” in the Ibero-American cultural space
Ramirez Ortega Graciela
have the opportunity to trace path of Bulgakov’s novel through Spain to Latin America and
Strategies of RussianSpanish translation of gastronomy-related cultural referents in M. Bulgakov's novel The Master and Margarita
Quero Gervilla, E. F., Shananina, M.
and Margarita" by Mikhail Bulgakov and offer up proposals for their translation into Spanish. The hypothesis we
THE PRINCIPLE OF ANTINOMIANISM IN THE SATIRICAL WORKS OF MIKHAIL BULGAKOV
Huang Junyi
M.A. Bulgakov is one of the most widely read writers, whose creative heritage is significant
Принцип антиномичности в сатирических произведениях Михаила Булгакова
Хуан Цзюньи
This article observes the principle of antinomy in the satirical works of Mikhail Bulgakov
Апокалиптический конфликт в романе М. А. Булгакова «Белая гвардия»
Менглинова, Л. Б., Menglinova, L. B.
of the conflict in the novel «Belaya Gvardiya» by M. A. Bulgakov. Besides the author of the article considers
Метатема в повести Михаила Булгакова «Собачье сердце»
Бао Лихун
Mikhail Bulgakov’s novella “The Dog’s Heart” is a literary masterpiece known for its intricate
FEATURES OF THE AUTHOR’S WORLDVIEW IN THE NOVEL BY MIKHAIL BULGAKOV ‘THE MASTER AND MARGARITA’
Карлова, Ольга Анатольевна, Копцева, Наталья Петровна
of Mikhail Bulgakov as the author of the great novel ‘The Master and Margarita’, the iconic literary work
FEATURES OF THE AUTHOR'S WORLDVIEW IN THE NOVEL BY MIKHAIL BULGAKOV ‘THE MASTER AND MARGARITA'
Карлова, Ольга Анатольевна, Копцева, Наталья Петровна
of Mikhail Bulgakov as the author of the great novel ‘The Master and Margarita', the iconic literary work
Жанрообразующая функция "трагически-гротескной" рецепции действительности в драматургии М. А. Булгакова
Страшкова, Ольга Константиновна, Бабенко, Ирина Андреевна
The genre-forming function of the "tragic-grotesque" perception of reality in Mikhail Bulgakov’s

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