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Folklore tradition in the art world of chekhov: part oneThe article is devoted to the study of A.P. Chekhov's works in the context of folklore tradition
TRANSFORMATION OF SPATIAL CODE IN INTERNET CHASTUSHKAChastushka is a Russian folklore genre which remains actual at present and is widely used
The topic of death in S. A. Yesenin's world of art: Folklore formula for Russian folklore, it is organic to archaic ideas about the world; it is about that the poet himself wrote
The image of a mountain in Tuvan paroemias as a manifestation of ethno-marked mentality (as compared to Altai, Khakas, Buryat and Kalmyk proverbs); [Образ горы в тувинской паремике как проявление этномаркированной ментальности (на фоне алтайских, хакасских, бурятских и калмыцких пословиц)] that reinforce their notions about the world around them. The article analyzes Tuvan paroemias that include
The general spirit and characteristics of the images of the mythical heroes Yi and Herculesworld folklore
White willow in Russian literature: Folklore “roots” of image parallels with Russian folklore. The image of white willow is also live in modern poetry: it traced back
Mortal subtext in O.E. Mandelstam’s poem “oh, how we love to be a hypocrite”: Folklore reality’s artistic world and revealed different archetypal models but they paid no attention to folklore
Mythologization of the inner space of the North Caucasus and folkloreModern electronic civilization actualizes the sphere of mythology and folklore to change
About the Folklorism of O. Mandelstam: Statement of the Issue world and revealed different archetypal models but they paid no attention to folklore elements
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