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Использование английских имен собственных в художественном тексте комического жанра (на примере произведений П. Вудхауза и Г. Манро) to expose the stylistic potential of the onomasticon of the literary text. The certain examples are given
The Boundaries of Literariness: Image of the World as a Book in the European Prose of the late 20th Century (through the example of the novel by Christoph Ransmayr „The Last World”)-enclosure
and structural integrity of a text. The mystery of the elusive time as well as heaven and hell, are
revealed
«Сказки жизни» как жанровый феномен 1920-х годов. The article presents the results of an analytical research of a sample of texts of the period under study
Роль когнитивного контекста в семиотической интерпретации иноязычных вкраплений в романе Сергея Минаева "Духles"The study is performed within the framework of cognitive linguistics and interpretative semiotics
Possible worlds - text worlds - discourse worlds and the semiosphere to the emergence of the concept of text world, a much richer (contextualized) world-model. The cognitive turn
Информационная энтропия художественного текста и ее преодоление при понимании и переводе processing of information within literary texts needs a comprehensive approach and strategy. The modern
ON THE PROPERTIES OF LITERARY PROPER NAMES for individualizing and characterizing single objects of artistic reality in the space of literary texts. The semantic
Текст как доминанта перевода
are described, and also a description of several scientific and critical models based on a concept
Modern philological knowledge: anthropocentrism and linguistic identitysemiotics of cognition
INVISIBLE TURKISMS IN THE OLZHAS SULEIMENOV’S BOOK “AZ I YA”: A PHILOLOGICAL ESSAY masterpiece - the text of “The Lay of Igor’s Warfare”. Sharing the views of O. Suleimenov - a port, a linguist
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