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Neo-sentimentalism of L.S. Petrushevskaya in the light of catharsis through laughter and tears, represented by Lyudmila Petrushevskaya. The paper presents the allied notions of sentimentality

The Theme of Female Loneliness in the Writings of Lyudmila Petrushevskaya and Can Xue of women. Lyudmila Petrushevskaya and Can Xue are representatives of Russian and Chinese women’s literature

Principles of interpretation and signifying in the texts of linguistic tales by L. PetrushevskayaIn the field of lexical semantics of L. Petrushevskaya's fairy tales, a layer of quasi

Исследование прозы Л. Петрушевской в литературоведении Китая (на примере материалов CNKI). In Chinese literary criticism Petrushevskaya is regarded as a representative of contemporary women's prose

Neo-sentimentalism of L.S. Petrushevskaya in the Light of Catharsis Through Laughter and Tears, represented by Lyudmila Petrushevskaya. The paper presents the allied notions of sentimentality

Tuvan and Belarusian proverbial parallels (typological community amid ethnocultural specificity); [Тувинские и белорусские пословичные параллели (типологическая общность на фоне этнокультурной специфичности)]One of the relevant objectives of contemporary paremiology as a separate linguistic discipline

Universals in the Tuvan proverbial fund (as compared to modern European languages); [Провербиальные универсалии в тувинском пословичном фонде (на фоне современных европейских языков)]One of the most focal issues of paremiology as a linguistic discipline is the identification

Мотив судьбы в повествовательной структуре рассказа Л. С. Петрушевской "Богиня Парка"= позиции повествования и в сюжете как структуре повествования (событии рассказа). Fate as a universal

Номер Один, или В садах творческих возможностей Людмилы Петрушевской to the analysis of Petrushevskaya's artistic system. Introducing a collection of poems by Petrushevskaya

Диалог на пороге: к характеристике пространства в одноактной драматургии Л. ПетрушевскойThe author explores the chronotope of a threshold in the one-act dramas by Petrushevskaya, analyzes

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