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“If Music is Not a Memory, then what is it?”: on the Modern Approach to Musical Memory in Azio Corghi’s Creations “...fero dolore” – on Pianto della Madonna and Lamento d’Arianna
by Claudio Monteverdi, for female voice
Principle of Rilleture: One of the Leading Ideas in the Works by Azio Corghi
ways of this principle realization on the example of A. Corghi’s operas and cantatas
Кантата "Кассандра" Б. Марчелло в контексте диалога временThe article is devoted to the study of the specificity of the cantata "Cassandra" by B. Marcello
Кантата Григора Ахиняна "САЯТ-НОВА"-symphonic works of Armenian music of the second half of the XX century - "Sayat-Nova" cantata of Grigor Hakhinyan
Soviet Worship Cantatas and Oratorios of the Late 1950s – Early 1980s for Children’s ChorusCantatas and oratorios for the children’s choir in the USSR at the time of the “thaw
Влияние жанровых моделей в драматургии кантаты "История доктора Иоганна Фауста" А. Г. ШниткеThe influence of genre models in the dramaturgy of the cantata "The Story of Dr. Johann Faust" A
Clichés of the Soviet Ideology in the Praising Compositions by D. ShostakovichThe oratorio “The Song of the Forests” and the cantata “The Sun Shines over Our Motherland” were
Standing at the Cross. Stabat Mater. The Сantata of the Composer Metropolitan Hilarion (Alfeyev). Theme and Its Analysis of the Western European music of the Baroque and Classicism (oratorio, cantata, big concert, sonata, quartet
From the History of Artistic Interpretations of the Biblical Story about the Lazarus Resurrection
Gospel According to Jesus Christ” and a cantata by the Italian composer Azio Corgi “La morte di
Lazzaro
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