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Ethnic documentary films as a mirror of national and cultural traditions (For example Republic of Tatarstan)
Bayraktar M., Doroschuk E., Mantashashvili M.
of the cultural and spiritual development of a person, one of which is ethnic documentary cinema. It allows you
Репрезентация травматических событий афроамериканской истории в текстовом пространстве культуры США
Палашевская, И. В., Аль-Саммаррайе, С. Д. М., Palashevskaya, I. V., Al-Sammarraie, S. J. M.
DOCUMENTARY PHOTOS
THE DOCUMENTARY LINGUISTICS AS A SCIENTIFIC DISCIPLINE
Pudikova G.N.
In this article the history of formation and prospects of development of documentary linguistics
DOCUMENTARY FILMS-A SOCIAL TECHNOLOGY OF INTERCULTURAL COMMUNICATION
Sharonova S.A.
's statements about television documentary films as a genre in the book Axioms Time or Theorems Time
THE WORK OF SVETLANA ALEXIEVICH IN THE CONTEXT OF THE HISTORY OF DOCUMENTARY FICTIONAL PROSE ("BOYS IN ZINC")
Górska Karolina
The research focuses on the specifics of a famous writer’s documentary fictional prose. First
The peculiarities of development in Chinese modern documentary film
Han Xiaoxing
Documentary film is a important way of diffusion. The Chinese documentary film has glorious
Photo-sharing communities discourse: Strategies and language
Amurskaya O., Solnyshkina M.
and pragmatic means used in commentaries on photos posted to Russian and German websites "Yandex.Photos" (htpp
PRINCIPLES OF TEACHING RFL USING DOCUMENTARY FILMS
Shaposhnikova A.P.
PRINCIPLES OF TEACHING RFL USING DOCUMENTARY FILMS
Photography as a Source for Comparative Research of History and Culture of Local Old Believer Groups in the First Third of the 20th Century (through the example of the Old Believers of Bessarabia, Buryatia and Tuva)
Kostrov, Aleksander V., Prigarin, Aleksander A., Костров, А.В., Пригарин, А.А.
the character and pace of the Old Believer culture evolution. The photo documentary legacy, which reflected
Development of students' visual literacy: Technique of work with family photo-archive
Krasheninnikova T., Sinitzyn O., Abilova R.
the photo as a historical source out of the category of "peripheral" into the category of an independent

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